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Throwing Out the Rules: Making Dada Poetry with Kids

By Mariah Bruehl,

Making Dada Poetry with KidsThe Dada art movement existed at the beginning of the 20th century and looked to explore meaning in art.  They were interested in abstract and surreal ideas and challenged the conventional notions of what art means.  So how does this translate to children?

 

Well, who do you know who likes to challenge ideas?  Who is creative?  Who likes to play?  Of course, your children do.  So why not play with poetry too?  We often think of poetry as grand and untouchable, serious even, but teaching children to be unafraid of poetry, to embrace its possibilities will quickly turn them into poets themselves.

 

The Dadaists believed in challenging the conventional, they wanted to throw away the old and embrace new possibilities.  An activity some Dadaists tried was simply pulling words out of a hat and turning that into poetry, they wanted to show that it could be simple and meaningful too.

 

I always loved the idea that words could flow into one another and still make sense, that we can find meaning in all sorts of constructions.  This is an activity I’ve tried with teenagers and young kids alike, they have all loved it and found meaning in their work.  It’s a great way to break down the barriers many people have around poetry and encourage creativity in a new way.

 

What you’ll need:

 

Word lists:

 

Color words (cerise, scarlet, cerulean..)

Verbs  (running, twisting, loving, flying…)

Prepositions (to, from, under, near….)

Articles (the, an, a….)

Nouns (she, cat, leaf, stars, Paris…)

Making Dada Poetry with Kids

The lists above are a good starting point but you’ll soon think of more!  Once your kids get the hang of making their own poetry they will want to start adding the words that they enjoy too.

 

Cut the words up and mix them together.  You could keep each category separate or mix them all in one big pile, it’s up to you.  Tell each child to pick a certain amount of words (10-20) and them simply place them on a piece of paper in the order the come out in.

 

I would suggest that you set a limit for the length of each line, 5-8 words should be more than enough.  That way your words will soon build to a stanza or verse.  Once your words are organized you can stick them down, add to them, reuse them…it’s up to you!

 

If your child doesn’t like the order of the words and wants to rearrange them, that’s ok too!  The point of the exercise is to inspire them and let their creativity take charge.  As long as they are playing with words then the enterprise is a success.

 

Once your child has completed their poem, encourage them to add images and to play with adding colors to their work.  It will help them to express the thoughts and feelings their poem has brought up for them.  They could cut out images from magazines, draw their own pictures or simply color around the words that attract them the most.

 

I’m constantly amazed at the powerful impact the simple act of creating poetry can have on the young ones in our lives.  Their capacity to embrace ideas that are different, or seemingly nonsensical, is what makes them natural artists, natural creators.
Don’t forget, this activity is also suitable for grown ups!

Sijo Poetry for Kids

By Mariah Bruehl,

Sijo Poetry for KidsOnce our children and students start to take an interest in writing poetry, we can introduce them to some of the different types of poetry. After exploring the format and syllabic structure of Haiku poem, students may take interest in writing an ancient Korean type of poem called the Sijo poem. Sijo poems also rely on a set number of stressed syllables but are a little longer in length than a Haiku poem. The fun and inviting thing about writing a Sijo poem is that each poem ends with a quirky ending such as a joke or a related twist.

 

One of the best places to begin exploring Sijo poetry is through Linda Sue Park’s book entitled: Tap Dancing on the Roof. In this small collection of Sijo poems Park explains how to write a Sijo poem and then invites her readers to read her examples. Her first poem: Breakfast, is a three line poem that share many delights we eat at breakfast but ends with a twist about enjoying sleeping in our nice cozy beds instead of breakfast. There are also poems about spring flowers, long division, collecting beach souvenirs and more. This is a perfect introductory collection for getting to know Sijo poetry.

 

Learning to write a Sijo poem will come naturally to our students’ as children often love sharing a silly, funny or twisted ending. To begin, introduce the structure of the Sijo: three to six lines with fourteen to sixteen stressed syllables for each line. Start with writing a three line Sijo poem with fourteen to sixteen syllables per line.  Brainstorm a list of topic ideas: loose tooth, soccer game, my favorite donut, spring blossoms, etc. Choose a topic and try writing a poem together or separately but remember to share and compare once finished.

 

Donuts

Chocolate covered, vanilla crème, delightfully tasty!

What would I do without this morning treat to fill my tummy?

 

Mom says I will live and to make sure I gobble up my oatmeal.

 

Talk about editing during the writing process. How many syllables do we have? Should we change this word with a longer or short word? Is the twist funny enough? Does the poem flow well? What other topics should we write about?

 

Linda Sue Park ends her collection with additional information about Sijo poetry: historical background, further readings and tips for writing your own Sijo poem. I love reading author tips for writing to my students. They often perk up a little more when I tell them the author wants to give them some writing tips. For our older children and students, there is another lovely collection entitled: Sunset in a Spider Web adapted by Virginia Olsen Baron. The Sijo poems in this collection center around the theme of nature; which I think makes this collection perfect for springtime poetry explorations.

 

Book Resources:

Two Voice Poetry

By Mariah Bruehl,

Two Voice Poetry

I’ve always felt that poetry is communal.  First of all, it’s accessible to everyone regardless of age, poetic experience, or writing ability.  My six year old can write as profound a poem as anyone.  Secondly, poetry is a genre meant to be shared and enjoyed with others. Poetry creates a sense of community and has the power to evoke emotions and build relationships in a way that ordinary prose simply cannot.

A poem in two voices offers a unique way to showcase two distinct perspectives or to compare and contrast two items, and it lends itself to being read out loud and performed for others.  This type of poetry is usually written in two columns so that one person speaks at a time.  The two voices go back and forth so that it becomes a dialogue or conversation between the two voices.  If the poet wants the voices to come together as one, the words are either written in the center of the page or on the same line in each of the two columns.

Last week I introduced this form of poetry to my second and third graders and handed each pair of students a book with a collection of two-voice poems.  I expected a few moans and groans (which I always seem to get when I ask students to pair up and read something together).  I wasn’t expecting what came next.

For over half an hour, my students devoured these poems.  They took turns reading different parts, they laughed, they questioned, and they passed the books back and forth (all while building their vocabulary, comprehension and fluency). Of course, we then spent another 30 minutes sharing our favorite poems with one another and performing them in front of the group.  Not a bad way to spend the morning.

Our next step will be to write our own two-voice poems.  Want to try it with us?  Here are some easy steps to get you started.

  1.  Choose two items, objects or people that have a relationship.

For example:

– Book characters (Charlotte & Wilbur)

– Family members (brother & sister)

– Animals (cat & dog)

– Seasons (winter & spring)

– Flowers (tulip & daffodil)

– Friends (you & your bestie)

You get the idea, and if you think creatively the possibilities are literally endless.  Use the book list below for even more inspiration!

  1. Brainstorm some words, ideas or phrases for each of the items.  Think about how the items are similar and different from one another.  It might be helpful to use a graphic organizer (two-column chart or Venn diagram) to get your ideas in order, but it’s not necessary!
  1. Begin writing your poem, in two separate columns, so that each item has a distinct voice.  Consider whether or not your two voices will speak together at certain points in your poem.  If so, try writing those lines in the center of the page.
  1. Practice reading your poem.  When you feel ready, perform your poem in front of others!  If you haven’t written your poem with a partner, find a friend who will read the poem with you.  Don’t forget to switch parts every once in a while.  It’s always fun to hear the lines being read in a different voice.

There are also many other concepts that can be taught during this activity:

  • Personification
  • Determining point of view
  • Comparing and contrasting themes, settings, plots, and characters
  • Reading with fluency to support comprehension
  • Using graphic organizers

Here are a few books to enjoy and be inspired by:

*There are six different books in this series including the original Very Short Stories, Tall Tales, Fairy Tales, Fables, Mother Goose Rhymes, and Scary Stories.

Two-voice poems could also be used as a response to another text or written to support an opinion about a topic or text.  I’ve frequently used them at the beginning of the school year when we are first getting to know one another; it’s a perfect medium to begin building community and establishing relationships in the classroom.

*This post contains Amazon Affiliate Links

3 Poetry Apps for Kids

By Mariah Bruehl,

3 Poetry Apps for KidsRather than filling children’s minds with empty screen time, a key to the thoughtful use of technology is integrating it into everyday learning situations in a way that enhances activities. Since poetry is a very thoughtful form of writing, and April just happens to be National Poetry Month, let’s explore some apps that can engage children in poetry through the use of technology. All of these apps are free (hooray!), and each approaches poetry differently. “Appy” Poetry month!

Instant Poetry 2 is an app which enables users to place refrigerator word “magnets” to create poetry. Although the app comes loaded with scenic backgrounds, a perfect way to utilize this app in a thoughtful way is to have children use their device to take their own pictures and find their inspiration in the world around them. Scroll through the word options and make meaning from the random choices. You may be surprised what images spark poetic stimulation, and how the words take the poems in their own direction.

My daughter loves to rhyme, and we play rhyming games frequently. Inevitably we get stumped, especially by her favorite color, not much rhymes with purple. Poetreat is an excellent app for focusing on rhyme and rhyme scheme, it even counts syllables for you! A side bar menu allows users to design their own rhyme pattern and the app offers a list of rhyme suggestions for final words in a line. Try using this app for collaborative poetry with a group of children. Set the rhyme scheme and have one child craft a first line of the poem. Then pass the device to the next child. They can create the second line based on the rhyme options presented by the app. This could lead to a poem that is creative, clever, and perhaps a little bit crazy! Another project with this app is to give children a short list of 5-10 words, perhaps seasonal, dealing with a unit of study, or a child’s current interest, then using the rhyme scheme and rhyme suggestions the child can create a poem on the given topic. Once the poem is written, brainstorm ways to creatively publish the final product.

As a classroom teacher, one thing I loved watching every year was when the English teacher on my team had students recite poetry. In a world of standardized tests, a classical learning experience like this may seem to be a lost art, but there are so many benefits. Children not only are exposed to exquisite words, but they learn to focus on rhythm, tone, meaning, and composure when speaking to an audience. Poems By Heart is the perfect app for memorizing poems. It comes preloaded with poems, and other “volumes” can be purchased. I especially like that you can hear the poem being read, then practice with filling in the blanks of the words. My favorite aspect of this app is that children can record themselves practicing their poetry recitation. There is something very powerful about hearing your own voice and learning from what you hear.

Poetry and technology may seem an odd couple, artistic versus mechanical. But, when thoughtfully combined, technology can allow children to creatively express themselves through poetry.

 

Post-it Poetry

By Mariah Bruehl,

Post-it PoetryWrite, peel, stick. Write, peel, stick. There’s something incredibly satisfying to me about jotting ideas down on Post-It notes, and I love using them as creativity tools in the art museum. Especially for those of us who feel more comfortable crafting with words rather than sketching lines and shapes, Post-it poetry is an easy way to help children look more closely and respond to works of art. All you need is a pad of sticky notes and a pencil!

I like to encourage kids to take the lead by having them select their favorite work of art in the gallery. Take a minute or two just to look at the artwork, then make yourselves at home—either on a nearby bench or right on the floor—and start a round of Post-it poetry.

Post-it Poetry

Give each person a stack of sticky notes and take turns writing a single word or phrase on a note that describes what you see in the work of art. Continue for as long as possible without repeating words. If someone gets stuck, consider these prompts to inspire more words and phrases:

  • What shapes, lines, colors, figures, objects do you see?
  • What is happening?
  • What is the mood of the artwork? or What feelings does this art give you?
  • What do you like about the artwork?

The beauty of Post-it poetry is that your writing canvas is small (literally!). You don’t need to figure out what the artist intended or how the work fits into the overall history of art or “What It Means” (which we sometimes are tempted to do, especially with unfamiliar things). This type of response poetry is more about the viewer—what do you see? What do you feel? What do you wonder? All you need to do is write down what immediately comes to mind as you let your eyes and mind gaze.

Once you’ve accumulated a good stack of words, start arranging them into lines of poetry either on the floor or on a clipboard. The lines can be as short or long as you like, rhyming or not rhyming. You can even arrange the notes themselves into shapes!

Post-it Poetry

For older children, throw in a sneaky grammar lesson and assign a certain article of speech for each round of notes. Start off with nouns, since it is often easiest to name the objects you see in a work of art. Then move on to verbs, adjectives, and adverbs.

Once your masterpiece is complete, snap a photo of the work of art (if allowed) and your finished poem as a souvenir of your visit.

If you still can’t get enough of sticky notes, bring your used Post-it poetry notes home and recycle them into a new work of art on your own walls. (If you need a little help, 3M has an on-line mural generator for creating works of art out of Post-it notes).

Happy writing (and sticking)!

Resources for Teaching Writing in the Elementary Grades

By Mariah Bruehl,

Resources for Teaching Writing in the Elementary GradesWhen I first became a teacher, I was not a writer.  Sure, I wrote in school and I really enjoyed some of the writing I produced in college. But I was not a writer. I thought teaching writing could be summed up with the five-paragraph essay and acrostic poems.  Thankfully, my first teaching mentor handed me a copy of Writing:  Teachers and Children at Work.  Through this book Donald Graves taught me the importance of writing with my students and recognizing them as young authors with stories to tell.  His book became the cornerstone for my life as a writing teacher.  If, like me, you do not see yourself as a writer, I invite you to read any one of the books listed below and see if you don’t fall in love with teaching writing.

Top 5 Resources:

Choice Literacy

Every Saturday morning I look forward to reading Choice Literacy’s e-newsletter.  They offer a membership that allows access to all of their resources, but even non-members can enjoy a wide range of free content.  In addition to articles on writers’ notebooks, conferencing with young authors, and mini-lessons, you can also enjoy podcasts on a variety of topics.

Teaching the Qualities of Writing

By JoAnn Portalupi and Ralph Fletcher (Grades 3-6)

This binder, filled with lesson cards, focuses on developing writers’ ideas, language, presentation, and design.  While there is no separate category, voice is taught throughout the lessons.  There are suggested cycles, but teachers can easily customize instruction.   I always start with the “Launch” cycle, but then I use the lessons according to the needs of the writers I am working with.  Each lesson card includes an introduction for the teacher, suggested text to model what you are teaching (often provided on the back of the card), an example of what your lesson might sound like, and conference questions.

Lasting Impressions

By Shelley Harwayne

In addition to not being a writer when I first started teaching, I also knew very little about children’s literature.  What I knew, I mostly learned in college, annotating books for class and jotting down titles professors recommended.  Then I read Lasting Impressions.  Shelley Harwayne will guide you on a path to becoming an expert on children’s literature.  She will inspire you to find just the right book to model what a student is trying to do as a writer.  For example, when my daughter started writing poems about nature, I suggested she read Mary Oliver.  When Jania was struggling to find her voice, we turned to Honey, I Love and Because of Winn Dixie, studying how the authors created characters we felt we knew.  Reading Lasting Impressions not only informed me, but it also sparked a love for children’s literature that I continue to share with young readers and authors.

Resources for Teaching Writing in the Elementary Grades

 

In the Middle (Grades 4-8)

By Nancie Atwell

Nancie Atwell tells a story about Donald Graves visiting her class.  At the end of his observation, he stood in her doorway smiling.  She asked, “What are you thinking?”  She anticipated all the wonderful things he might say about her teaching, and he replied, “You are so organized.”  This was not the answer she was hoping for, but it is true.  Reading this book will help you organize your writing workshop.  She will show you how to establish expectations, teach conventions and keep records of lessons taught to individual students, and how to create an environment for writers.  She also provides surveys, self-evaluation forms, and examples of students’ work.

How’s It Going?:  A Practical Guide to Conferring with Student Writers

By Carl Anderson

I love this book because of its simplicity.  Carl Anderson really taught me that conferences with young writers are conversations.  My first priority in a conference is to just listen.  No agenda.  Just listen.  What is this writer trying to do?  What does this writer need me to teach him right now?  What feedback can I give this writer to help him grow?  What author can I suggest that this writer can learn from?  And know that sometimes the writing is so vulnerable we just respond as one human to another.  Carl writes, “…my job as a writing teacher is to help students become better writers, not to improve the pieces of writing they are currently working on (p.41).”  This was a huge revelation for me.  One I am very grateful for.

O.K., I said top 5, but the best resource I have found in teaching writing is my pencil.  The first time I sat down to write in front of my class with an overhead projector (yep) and no idea what I was doing, I told a story about going fishing with my dad when I was five years old.  Was it good?  No.  But I modeled writing for my students: where I found topics for writing (my interests, experiences, loves, pet peeves); why I chose this topic (because it was a treasured moment when I felt very close to my dad); and how I got started just telling my story, trying to give specific details and helping the reader feel what I was feeling.  It was a first draft—and it was rough—but it invited students to tell their own stories.  And they did—with much enthusiasm.

 

More of My Favorites…

Online Resources

Books on…

Teaching Writing

Revision

Grammar and Punctuation

Poetry

 

Poetry for Kids: Getting Started

By Mariah Bruehl,

Poetry for Kids: Getting StartedWhen writing poetry I find it is ideal to begin with a provocation.  A provocation need not be a poem to copy but more so an experience that is relevant and real to the little ones involved. As part of my teaching practice I have spent large amounts of time looking closely at writing development and the focus I usually come back to is the notion of words. Poetry is about responding to a moment and capturing a time frame as you would with a short film or photograph. I encourage the children I work with, both at home and in a school environment, to capture the moment using as many senses as possible and to use hard working words.
Often one piece of poetry may take weeks if not months to complete and this long process is encouraged.
Finding the provocation, be it a flower, seeds, a beautiful beach or even a response to music is the starting point and from here allow the freedom for discussion and recording ideas in quick mind maps.
After a collation of ideas and words have been made, look closely at the words gathered and try to think of words with more depth and meaning. Use words you are unfamiliar with and words which allow for alliteration or onomatopoeia.  From here the possibilities are endless. My main focus is to always think deeply about the choice of words, to edit and reflect, read more poems, and be creative.
Listed below are a few definitions that allow children to understand the rich history and context of language.
Poetry
The art of rhythmical composition, written or spoken, through the use of beautiful, imaginative, or elevated thoughts.
Provocation
Something that incites, instigates creativity and thinking.
Onomatopoeia
The use of imitative and naturally suggestive words for rhetorical, dramatic, or poetic effect.  The formation of words by imitation of a sound made by or associated with its referent (such as pitter patter for rain).
Alliteration
Alliteration being the occurrence of a letter or sound at the beginning of adjacent or closely connected words.
Language
The communication of meaning through any manner.  A body of words and systems which allow one to share their ideas, beliefs and feeling with another.
Rhyme
A word that is identical to another in its terminal (end) sound.
Rhythm
Language movement with uniform or patterned recurrence such as a beat, syllables or the like.
Mind Map
A diagram used to represent ideas branching from a central focus.
Some poetry provocations to keep in mind:

 

 Playful Learning: Poetry Makers

Favorite Poets For Children

By Mariah Bruehl,

Favorite Poets for ChildrenAs I sat down to compose a list of my favorite poets, I became aware that I read poetry like a writer, and I consider the young writers who might be inspired by these poets. We all know that children love rhyme, but it can be very difficult to write good rhymes. Also, sometimes children assume poetry has to rhyme or be about beautiful scenery. I love poetry that surprises children and helps them to see poetry in different ways. Here, you will find poems about safety pins, Mars, Iguanodons, and marshmallows. Some rhyme. Some don’t. Enjoy.

 

Favorite Poets for Children

 

Valerie Worth

I fell in love with Valerie Worth’s poetry the first time I read “Safety Pin.” I loved the beauty and wonder the poet found in ordinary objects. She writes short, free-verse poems with precise language and imagery that is breathtaking. Children are natural poets, making surprising comparisons between two seemingly unrelated objects. Sharing these poems with children will inspire them to write poems about their own observations of the world around them.

 

Written poetry is simply a way of revealing and celebrating the essentially poetic nature of the world itself.   ––Valerie Worth

 

Eloise Greenfield

Honey, I Love has been a favorite of mine for years. I read the title poem to children every year. The narrator in this collection of poems is so real you want to reach out and hug her.

 

Douglas Florian

I can’t get enough of his poetry. His poems are short and often witty, and he plays with words in fun ways. He writes a lot about animals, but he also has a collection of poems about planets. He is often informative, but always entertaining. And the art work is gorgeous.

Favorite Poets for Children

Joyce Sidman

Joyce Sidman writes beautiful poetry, but her knowledge of nature is equally inspiring. Many of her poems will appeal to anyone who is curious about the natural world. I recommend Swirl By Swirl and Red Sings from Treetops: A Year in Colors for the youngest listeners and What the Heart Knows: Chants, Charms and Blessings for grade 6 and up. Her other books are for grades 4 and up, and anyone younger who really loves the subject. The books all include gorgeous artwork by various illustrators.

 

Kristine O’Connell George

Whenever we go camping, we bring a copy of Toasting Marshmallows. Like Joyce Sidman, Kristine O’Connell George writes about nature, but her poems seem more accessible to a younger audience. If you know a young bird watcher, check out Hummingbird Nest.

 

Byrd Baylor

Yes, Byrd Baylor writes picture books, but have you ever noticed that many picture books are actually poems? Two of my favorites are I’m in Charge of Celebrations and Everybody Needs a Rock. Like Eloise Greenfield, Byrd Baylor gives her narrator such a strong voice, that you can’t help but want to be her friend.

 

Michael Rosen

I first discovered Michael Rosen while teaching in England. The children and I read “Chocolate Cake,” and it was deliciously good. He writes about family, friendships, and mischief. These are stories with very little figurative language. While his books are hard to find in the States, you can watch him perform his poems online—even better. His recitations are superb with just the right amount of theatrics.

 

I think poetry for children needs to be saved from the cold dissection of right and wrong answers and put back into rooms and halls full of wonder, compassion, haunting, laughter, music and rhythm. We need to hear its many cultures, many voices, many sounds. This is about wide and diverse participation. Diverse verse for all!

— Michael Rosen, Children’s Laureate 2007–2009

 

If your child likes Shel Silverstein, try…

 

For Teens…

 

For the very youngest….

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The Power of Here: Discover Your Local Watershed

By Mariah Bruehl,

The Power of Here: Discover Your Local WatershedPlace-based education has been around for quite some time. However, it is gaining momentum in the public education sector as educators have discovered the high levels of engagement and the inevitable adoption of The Next Generation Science Standards across states. The philosophy behind place-based education is that if children are introduced to various topics in a specific and personal space such as their own community, they can then apply their knowledge later in life to the larger global macrocosm. It is fairly straight forward, and in that simplicity lies the genius.

As the Next Generation Science Standards begin to dictate states’ curriculum, educators are finding themselves scouring resources to make their own science instruction more rigorous, engaging and ultimately rooted in the ideas of citizen science. The NGSS calls for a closer examination of human impact and interaction with the environment across all grade levels. This is both an exciting and daunting task. At least in the elementary years, I would argue that a place-based curriculum is going to give schools the biggest bang for the buck. It does require a lot of planning, coordination with local agencies, and study of content knowledge on the teacher’s part. However, it is within those hours of research, emails and phone calls that the teacher begins to own the lessons. But, what if everyone were to get involved in this process. The best part of teaching is the learning, and this joy should not belong to classroom teachers, alone. Place-based education can be led by anyone who lives in a…place!

Below is an idea for adults with children in the upper elementary grades that elicits learning about the health of local watersheds (click on photo below to download lesson).

InTheShed2

 

And here’s a worksheet to record your findings (click on photo to download):

holymacros!-1

Book Love: Embracing the Seasons

By Mariah Bruehl,

Embracing the Seasons

As each new season rolls along for another three months, it is a special time to reflect on what the season brings, be in hibernation, endless days of sunshine or a time to be quiet calm and reflect, each season has a purpose.

In the Southern Hemisphere we are moving towards Autumn and a time for slowing down and allowing the daylight hours reflect the need for simplicity and a time for rest.  I adore the notion of not using lights throughout autumn and winter and using candles when it is dark and allowing our bodies to unwind and slow down and become attuned and receptive to mother nature.  In the northern hemisphere the days are getting longer, new growth is evident everywhere and the extra daylight allows for afternoon walks after the workmen day and the opportunity to meet with friends, have long lunches which, if you are blessed, then turn into an evening by the pool or local river.

 

As the seasons change I like to gather as many books as I can about the changing time and share these with my boys.
Embracing the SeasonsHere are a few books that look at different seasons and are beautifully illustrated…
After sharing the books it is a wonderful opportunity to set up a provocation filled with large sheets of paper, pots filled with fine liners and watercolor paints or pencils.  A case of flowers cut and gathered form the garden or neighborhood or even a handful of leaves called from the trees (if you are experiencing Autumn).  I believe in open-ended experiences and a gathering of the family to make connections, reflect and create.   No end product in mind, just the opportunity to reflect on the experience and create.  Clay is also a wonderful starting point. If clay is not something you have on hand a simple playdough recipe scented with essential oils works beautifully.
I also have a strong belief of shopping in season when possible and finding produce at local farmers markets.  This cook book by Donna Hay is delightful and divided into Seasons.

 * This post contains Amazon affiliate links.